ART IN LATE MEDIEVAL ARMENIA. Unfavorable political and economic conditions had their negative impact on the process of fine arts development.
The illustration of manuscripts continued until the beginning of the 18th century, however, highly artistic models were no longer created. In the 15th century the progress of khachkar art was terminated. The tradition of erecting khachkars revived in the 16-17th centuries, however, the khachkars of this period were mostly tombstones. The carvings on kachkars lost their thematic diversity and acquired everyday content. There are numerous khachkars in all the cemeteries of Armenia. Thousands khachkars can be found in Noratus and Old Jugha. The process of historical development of that prominent field of medieval art together with khachkars of Jugha comes to its end.
Global economic and political crisis had little impact on the development of different braches of applied art.
It is known that the Armenian carpets were exported to different countries and they were even depicted in the paintings of European artists. Dragon-styled carpets, so called “dragon carpets” were especially popular.
In the 15th century Armenian rich architecture with centuries-old tradition was in decline, which was the expression of country’s overall difficult situation. In the 16-17th centuries Armenian architects and construction workers expanded their activity in different settlements and Ottoman Empire. The prominent architect Sinan and the representatives of the Palian family made their significant contribution in the construction of Constantinople and were prominent with their fruitful activity for over three centuries.
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